Fiction and Non-Fiction

Category: Publishing (Page 1 of 2)

Sisters in Arms is now available

A short post this week to let everyone know Sisters in Arms is now available at all eBook retailers.

Women who put it all on the line when the shit hits the fan. Military, family, or thrown together by chance doesn’t matter. They join, they cooperate, and, when they run out of options, they fight.
Tales from feudal Japan to modern day Angola. A slink through the Parisien woods and a strut along the Seattle streets. A Babylon that we never knew to a war-torn hell we should all fear.
A baker’s dozen of stories about women owning their place in the world.

Sisters-in-Arms | Universal Book Links Help You Find Books at Your Favorite Store!

A Quick Update

For those of you who supported the Thrill Ride kickstarter, a big thank you from me, and implied from everyone else with stories in this year’s issues. The kickstarter funded, so expect to see the first issue – Sisters in Arms – within the next few weeks. This issue includes my story A Cousin’s Outing.

It’s been a while since I submitted anything to the top science fiction magazines, but I have stories under consideration at Asimov’s and Analog. Unfortunately at the moment Fantasy and Science Fiction isn’t accepting submissions, but when they open again, there will be several stories in the queue for them.

Elsewhere, I’m making good progress on the third Jacob and Miriam story, and that’s on track for publication at some time in the second quarter of 2024. More news on that closer to the publication date.

A New Approach

This past week my writing study and reading intersected in a way I didn’t expect.

I’m coming to the end of a nine-week class on dialog, and wow, has it been illuminating. In parallel, one of the fiction books I was reading was Beyond – the first of Mercedes Lackey’s trilogy about the founding of Valdemar.

I enjoyed the book but something felt off, and not quite right. I couldn’t pin down exactly what it was. Not then, but later when I finished working through the lectures on the dialog class, I had a glimmer of an idea.

This week’s topic was narration, and how a writer can use it to give the reader information, and to paraphrase, there’s light narration, heavy narration, journal narration, and whole book narration. The assignment was to find examples of each type.

And there was my answer. Beyond isn’t just heavy narration, the whole book is mostly narration, and that was what disturbed me.

The thing with whole book narration is it tends to keep the reader at a distance, and I wasn’t expecting that from Mercedes Lackey. When you read the other Valdemar books you are deep inside the character’s head feeling their thoughts and emotions, and I kept waiting for that in Beyond.

I read the book almost in one sitting and know I’ll go back and read it again, so although I wasn’t expecting this approach, I suspect the next book in the series – Into the West – will have the same style.

This time I’ll be ready for it. And probably read the book in one session.

Meaningless Error Messages

This past weekend was a catch up on the many admin tasks put aside while we were out of town for most of January. One of those catch up activities is to scan and shred documents. I moved to electronic storage for copies of bills and invoices about ten years ago and managed to retire and remove a full four-drawer filing cabinet.

Despite this, and having multiple backups, both on a physical hard drive and in the cloud, I still keep hard copies of some documents – contracts, and the final versions of manuscripts spring to mind immediately.

As you’re probably suspecting, there was quite a pile of paper to scan, and as I got through the pile, the Epson printer/scanner barfed. That’s not unusual as pages get caught and jammed every so often. This was different though. There was no paper jam icon. Instead I had an Epson error 100069 and a message telling me to restart the printer. Easy enough, and for good measure, I checked nothing was caught in the scanner feed.

Restarting went straight to the same error message and a suggestion to contact Epson technical support. So straight to the browser and a search, and a discovery.

There is nothing on the Epson site that acknowledges printer error messages, let alone a list of what they might be, and how to resolve them. Buried deep in the results of another search I found the title Epson’s triple secret error codes. Now that seemed promising.

And it was.

The 100069 message essentially means the scanning function has serious issues. It could be the scanner motor pulley (checked it and looked okay), or a failed scanner motor or scanner sensor or . . . Given the amount of scanning I do, my guess is it’s the sensor or motor, which almost certainly means a new printer.

I don’t begrudge the cost of the new printer (actually, yes I do 🙂 ). What does frustrate me is how hard it was to diagnose the problem. I love the printer, and will replace like with like, but come on Epson, you’re better than this.

A Busy Few Weeks

It’s funny how often after a long stretch of nothing apparently happening, everything seems to coalesce together and there’s a flurry of frenetic activity.

That’s how it’s been this past week, and probably how it will continue into the coming week.

Firstly, two of my stories were selected for the 2024 issues of Thrill Ride Magazine so there were edits and proofing copy in preparation for the upcoming kickstarter which starts on Tuesday 30th – Thrill Ride – the magazine (Year Two) by M. L. “Matt” Buchman — Kickstarter. There are some excellent writers in this year’s magazine, as there were in Year One, and I’m grateful to be included alongside them.

Secondly, I finally finished the editing and formatting of Death at a Wedding and got everything published, along with the reformatting of the cover for Thieves in the Temple. Both books now look like they belong together. Check out Death at a Wedding here: Death at a Wedding

And finally, Alfred Hitchcock’s Mystery Magazine confirmed my Jacob story The Cleansing of Abel will be in the May/June issue available in April.

It’s been a great start to the year and I can’t wait to see what comes in February.

An Update on AI Audio

AI is the current hot topic in many areas of our lives at the moment – from an AI engine being the first level of customer support, or those incessant robo-calls, to “creating” stories or images.

I have been following the various legal cases that are currently in flight, but that isn’t the focus this week. Instead I want to talk a little about AI audio which in the past two years has gone from almost pariah to an accepted medium.

As I mentioned in the posting of October 2022, I ran my novel Thieves in the Temple through the free Google Audio converter and played around a little with the various voice options. I didn’t do much more than that, and made it available on Google Play for the same price as the paperback. At the time, Google Play was the only place to make it available.

Fast forward to today, and those options have grown dramatically. The AI audio files from Google Play can now be made available on Kobo, Draft to Digital, and Book Funnel to name a few.

The feedback I had on the audio sales showed me there are still some tweaks I need to make to the text so the AI can interpret the words more easily. Those tweaks are on my schedule for the first quarter of 2024 so by the second quarter, the audio of Thieves in the Temple and the sequel novel Death at a Wedding will be available more widely.

Stay tuned for updates.

Planning for 2023

When I began jotting my thoughts down for 2023, one of the things that struck me was how similar the list was for 2022, and that made me pause.

A lot of the personal items were house maintenance projects, like replacing air-conditioning units. In 2022, they fell into the “nice to get to” category. For 2023, they’ve mostly moved into the “need to schedule” category.

From a writing perspective, that took a little more thought. As I mentioned my word count fell off a cliff in July and derailed my goals. There was also another factor in that the initial plan was to write mostly long fiction – more Jacob and Miriam stories, and a trilogy I’ve had rolling around in my head for a long time. Instead, I got distracted into short fiction, and short fiction I found hard. With the benefits of hindsight, I should have reviewed everything in the middle of the year, and reset. Easy to make these decision after the event.

Those thoughts coalesced around the same time I was reading some of Mark McGuinness’s work on being a 21st Century Creative, where he talks about a project focus rather than something more granular. The more I read, it became obvious I’ve let myself become too focused on the number of words written instead of the end product – a short story, novella, or novel. In 2023, I’m going to shift the emphasis. The writing plan, including keeping a more regular schedule with this blog, is to complete six projects in 2023. I’ll still track word count, and if I succeed, it will be about double the actual words for this year, and end up about 60% of what I planned for 2022.

And the projects? I know the first one, and have already made a start. There are placeholders for the rest, but they aren’t cast in stone.

I’ll let you know how it goes , and in the meantime, I hope everyone has a safe and prosperous New Year.

Thoughts on AI Audio

The use of an artificial intelligence voice to produce an audio version of a work of fiction or non-fiction has been around for quite a while now. Early versions were clearly early versions. The voices were monotone and robotic sounding and not really suited to the nuances and inflexions of a fiction story.

Time has passed, and the quality and ability of the AI voice to sound more human has improved in leaps and bounds. Joanna Penn provides regular updates on her podcasts (The Creative Penn Podcast: Writing, Publishing, Book Marketing, Making A Living With Your Writing | The Creative Penn), and earlier in the summer, she spoke about a new, and currently free, service on Google Play that takes your text manuscript and converts it to audio, with the option to select one of several AI voices.

As an experiment, in June, I put Thieves in the Temple through the process and added it to my Google Catalog along with the eBooks (Thieves in the Temple by Richard Freeborn – Audiobooks on Google Play). The quality wasn’t bad, so I priced the audio the same as the paperback, and added a notation it’s AI narrated. I intended to put a proper cover on it, like the eBook and paperback versions, but something bright and shiny distracted me, and I never got around to it.

And I’ve sold copies! That surprised me as I’ve done no marketing or promotion, just added it to the catalog and left it there. It’s now my top seller on Google!

Who knew?

First Thoughts on 2022

We’re just over a week into the year, and so far it’s a bit of a mixed bag. In terms of word count, I’m several thousand words below target for the tenth of the month. From a production perspective, I’ve completed two short stories, and have a third in flight.

If I’m going to hit the rest of my targets for January, I need to increase my word count, and two things happened this past week that were like a bat over the head. I mentioned Dean Wes’y Smith’s writing challenge last time. What I didn’t mention is the planning he did to set himself up for success.

Dean spent time in December tracking how he spent his time, and where he could find the hours for writing. The blog is here – My 2022 Challenge. In parallel, I listened to one of Joanna Penn’s podcasts, and she talked about the same thing – tracking your hours and finding time for writing.

And then it hit me.

I’ve listened to both these writers, and others, say much the same thing. I’ve never set myself up to track my time, and wondered why I couldn’t “find” extra minutes to write. I’ll let you know how the tracking goes this week, along with, potentially, two new short stories.

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